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her whole energy into the matter in hand, always at everybody’s

descriptionHecameinalittlelaterand,seatinghimselfbetweenthem,filledandlightedhispipe.Lookingback,Joanremembered ...

He came in a little later and, seating himself between them, filled and lighted his pipe. Looking back, Joan remembered that curiously none of them had spoken. Mary had turned at the sound of his key in the door. She seemed to be watching him intently; but it was too dark to notice her expression. He pulled at his pipe till it was well alight and then removed it.

her whole energy into the matter in hand, always at everybody’s

The words made no immediate impression upon Joan. There had been rumours, threatenings and alarms, newspaper talk. But so there had been before. It would come one day: the world war that one felt was gathering in the air; that would burst like a second deluge on the nations. But it would not be in our time: it was too big. A way out would be found.

her whole energy into the matter in hand, always at everybody’s

"Is there no hope?" asked Mary.

her whole energy into the matter in hand, always at everybody’s

"Yes," he answered. "The hope that a miracle may happen. The Navy's got its orders."

And suddenly--as years before in a Paris music hall--there leapt to life within Joan's brain a little impish creature that took possession of her. She hoped the miracle would not happen. The little impish creature within her brain was marching up and down beating a drum. She wished he would stop a minute. Someone was trying to talk to her, telling her she ought to be tremendously shocked and grieved. He--or she, or whatever it was that was trying to talk to her, appeared concerned about Reason and Pity and Universal Brotherhood and Civilization's clock--things like that. But the little impish drummer was making such a din, she couldn't properly hear. Later on, perhaps, he would get tired; and then she would be able to listen to this humane and sensible person, whoever it might be.

Mary argued that England could and should keep out of it; but Greyson was convinced it would be impossible, not to say dishonourable: a sentiment that won the enthusiastic approval of the little drummer in Joan's brain. He played "Rule Britannia" and "God Save the King," the "Marseillaise" and the Russian National hymn, all at the same time. He would have included "Deutschland uber Alles," if Joan hadn't made a supreme effort and stopped him. Evidently a sporting little devil. He took himself off into a corner after a time, where he played quietly to himself; and Joan was able to join in the conversation.

Greyson spoke with an enthusiasm that was unusual to him. So many of our wars had been mean wars--wars for the wrong; sordid wars for territory, for gold mines; wars against the weak at the bidding of our traders, our financiers. "Shouldering the white man's burden," we called it. Wars for the right of selling opium; wars to perpetuate the vile rule of the Turk because it happened to serve our commercial interests. This time, we were out to play the knight; to save the smaller peoples; to rescue our once "sweet enemy," fair France. Russia was the disturbing thought. It somewhat discounted the knight-errant idea, riding stirrup to stirrup beside that barbarian horseman. But there were possibilities about Russia. Idealism lay hid within that sleeping brain. It would be a holy war for the Kingdom of the Peoples. With Germany freed from the monster of blood and iron that was crushing out her soul, with Russia awakened to life, we would build the United States of Europe. Even his voice was changed. Joan could almost fancy it was some excited schoolboy that was talking.

Mary had been clasping and unclasping her hands, a habit of hers when troubled. Could good ever come out of evil? That was her doubt. Did war ever do anything but sow the seeds of future violence; substitute one injustice for another; change wrong for wrong. Did it ever do anything but add to the world's sum of evil, making God's task the heavier?